direzione artistica di Giovanni Sollima
Ljuba Bergamelli soprano
Massimo Polidori violoncello
Simone Groppo violoncello
Sara Anne Spirito violoncello
Gianluca Muzzolon violoncello
Andrea Cavuoto violoncello
Beatrice Pomarico violoncello
Marco Radaelli violoncello
Gabriele Zanardi violoncello
“Incroci, paralleli, incontri e tresche!”
Claudio Monteverdi “Lamento d’Arianna” (dal sesto Libro di Madrigali, 1614, dalla versione per viole da gamba)
Johann Sebastian Bach “Mein glaubiges Herze” Aria dalla Cantata BWV 68 per soprano e violoncello concertante (arr. G. Sollima) soprano Ljuba Bergamelli
Felix Mendelssohn-Bartholdy “Allegretto scherzando” dalla Sonata n. 2 op. 58 (arr. A. Cavuoto)
Giuseppe Verdi “Tutto nel mondo è burla” dal Falstaff (riscrittura e arr. G. Sollima)
Alfredo Piatti “The Lover’s appeal” Aria per soprano e violoncello concertante (arr. G. Sollima) soprano Ljuba Bergamelli
Richard Wagner “Tempo di Porazzi, Palermo 1882” (arr. G. Sollima)
Richard Wagner Tristan und Isolde – “Einleitung” (arr. A. Cavuoto)
Richard Strauss finale del Don Quixote (arr. A. Miodini)
Villa Lobos Bachiana Brasileira n. 5 Aria (Cantilena), Dança (Martelo) soprano Ljuba Bergamelli
With the adventure of the 100cellos, Giovanni Sollima, with his valiant companion Enrico Melozzi, has shown that music making can be highly democratic, as long as the social function of sound is rediscovered and appreciated. Which, in the experience of his 100 cellos, becomes a physical and mental “place”. Hence the cellist invasion he will lead, which will “take over” the Ravenna Festival for an entire week, alternating such monumental collective events as the concerto fiume with the presentation of his new piece, Onyricon, and the performances by the world’s most prestigious soloists. Ravenna becomes “Celloland”, with illustrious “citizens” invited by Sollima himself: Mario Brunello, the Cellists of La Scala and many others. Welcome to Celloland!
